Most brands don’t run out of ideas — they run out of assets. The calendar is planned, the ad account is ready to test, and everything stalls because there’s nothing new to publish.
We solve that at the source. A single well-planned production day can generate a month of reels, a photography library, and enough creative variation to keep paid campaigns testing properly. Concept, script, casting, styling, shoot and edit all sit with one team, so nothing gets lost in a handoff between a production house and whoever writes the captions.
And because we run the campaigns too, we shoot knowing exactly which formats, ratios and cuts each channel will need before anyone arrives on set.
Social Rabit offers a range of services that are tailored to
meet the unique needs of each client
Story-led films that communicate who you are and why it matters.
Clean catalogue and hero imagery built for e-commerce and print.
Campaign-scale productions with full crew, casting and styling.
Short-form vertical video shot natively, not cropped as an afterthought.
Colour, sound, subtitles and platform-specific cuts of every asset.
Products shown in real context, with the people who actually use them.
It depends on the setup, but a well-planned day typically yields 30 or more usable assets — a mix of short-form video, hero shots and catalogue imagery. We build the shot list backwards from what your content calendar and ad account actually need.
Yes. Casting, location scouting, styling, props and set design are all part of pre-production. Third-party costs like talent fees, location rental and travel are quoted separately and transparently.
Absolutely on-location shoots often produce more authentic content than a studio. We’ll do a recce beforehand to plan lighting, sound and logistics so the day runs efficiently.
You own all final delivered assets outright. Raw footage can be handed over as well — worth confirming at the quoting stage, as it affects storage and delivery arrangements.
Many clients book a recurring monthly or quarterly production day. It keeps the content pipeline full, brings the per-asset cost down considerably, and means creative testing never stalls waiting on new material.
